Bynes Gospel Music

Visit Bynes Gospel Music on MySpace

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http://www.myspace.com/bynesgospelmusic

Bynes Music Mart on EBAY is finally here!!!

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Stop by Bynes Music Mart on Ebay. You are just a click away from the lowest prices, and the best quality that you can find online. Click on the Ebay link to your left to view photos and prices of Vintage Hammond Organs, Leslie Speakers, and various other musical instruments that you may be interested in purchasing.

HAMMOND Organ Rentals, Sales, Trade In....

2007-10-25T10:44:00.000-07:00

"Hammond Organ, there is no substitute"

Bynes Gospel Music is your Church, Pastor, Music Minister or even member “One Stop Website”.

HAMMOND ORGAN RENTALS, SALES, TRADE INS….

Is your church looking for a Hammond Organ to enhance its Worship Service? If so, then you are about to be the one to bring your church worship service to the next level. Contact Bynes Gospel Music, and get your hands on a Hammond B3, C3, A100 or whatever Hammond Organ we have available. Someone said, when the Saints go marchin’ in, a Hammond may be in the mix.” You may reach Bynes Gospel Music at:

Bynes Gospel Music

81 New Road Suite 163

Parsippany, NJ 07054

Toll Free 1.866.429.8309

Fax/Phone 1.661.420.8805

bynesmusic@minister.com

Churches, if you qualify, you may be able to purchase your Hammond by making monthly payments. Contact BGM for additional information.

Where would Gospel Music be without these "ICONS"

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“Twinkie Clark" coming to New Jersey in 2008, Sponsored by Bynes Gospel Music”. Check back for ticket information and also check back for 2008 tour dates for the Stellar and Grammy Award nominess "The Clark Sisters".

ELBERNITA 'TWINKIE' CLARK, a musical genius. The maestro. Gifted musician and anointed vocalist, a true worshipper. These are all accurate descriptions of Elbernita “Twinkie” Clark, the woman considered the heart and soul of the Clark Sisters. In many respects, she has been the creative force in shaping the vibrant sound that has become the Clark Sisters hallmark (more affectionately known as the ‘Clark Sound’). In the history of Gospel music, she has quickly become a legend in her own right. With the reverence of a vast array of audiences, critics and peers, she is considered by many Gospel aficionados to not only be Gospel music’s greatest, but also the undisputed “Queen of the B3 Hammond organ.”
Twinkie received her formal musical training at the prestigious Howard University in Washington, D.C. and went on to faithfully work in the Lord’s vineyard, creating some of the most memorable hits available today for herself and her siblings. With Twinkie’s musical gifts accompanied by the vocal talents of her sisters, all made possible under the favor and anointing of God resting upon each of them, together they’ve acquired worldwide superior accolades including a gold record in 1981 with “You Brought the Sunshine,” their bonafide hit on the Gospel and R&B charts and their long-awaited induction into the International Gospel Music Hall of Fame in 1999. Most recently, The Clark Sisters received high honors at the 2007 Stellar Awards when they were presented with the coveted award for Most Notable Achievement.
In addition to being the chief songwriter and producer on several albums with her sisters, Twinkie has produced solo albums for her mother, the equally legendary late Dr. Mattie Moss Clark, who she credits as her “greatest inspiration” and the start of her musical journey. Twinkie has also produced albums for several choirs and traveled the world abroad as an evangelist, workshop facilitator, music educator, singer and a powerful woman of God. She has had her compositions recorded and sampled by some of the Gospel greats and even secular artists such as Rev. James Cleveland, Jennifer Holliday, Al Green, James Moore, Donald Lawrence and the Tri-City Singers, Esther Smith, James Moss, Dave Hollister, Xscape, and Mary J. Blige.
Amid her travels, networking and the lending of her songwriting and production expertise to others over the years, Twinkie found the time to record and release a catalog of successful solo albums: Praise Belongs To God, (1979), Ye Shall Receive Power, (1981), Comin’ Home (1982), Masterpiece (1996), and Live In Charlotte (2002). Twinkie's third album on Verity Records Home Once Again...Live in Detroit, released in 2004, proves yet again that she merits every accolade afforded to her. She is also the featured artist on a compilation disc of her own hits entitled Twinkie Clark: Praise & Worship, which hit stores in 2006.
Twinkie’s musical prowess is evident in the delivery of her heartfelt lyrics blended with and based on scripture. “When we were younger, Twinkie would always have her bible and notes with her,” says Dorinda Clark Cole reflecting on the early years of singing with her sisters. “She would put it on the piano and say, “Follow me.” And it would be so amazing how she’d use the word of God and us to pull those songs together.” Often filling in for her sisters in many of their intricate vocal arrangements, Twinkie developed a broad range from soprano to low contralto and even bass. Her churchy “squalls”, improvisational skill and signature lead vocals appear to have set an unprecedented vocal standard for others to strive to achieve in the years to come.
“I see myself as a vehicle, a vessel being used by God, having purpose, and yielding to God,” says Twinkie. She has understood the ministerial calling on her life from a very young age. Musically, she has been labeled a Gospel Legend, and it's a title of which feels worthy. Her mother also garnered the title for her career. Twinkie says she believes that she herself is a legend because her mother was a legend. “And I wanted to be just like her,” says Twinkie. “And also because of the experience and awards. Yes, I am a Gospel Legend.” Today, Twinkie continues to share her immense level of talent, her influential ministry and the word of God all over the world.

by Terron Austin

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“Going to Heaven to Meet the King,”

Dr. Mattie Juliet Moss Clark remains one of the most influential and important figures in the history and progression of gospel music as well as in the history of the Church of God in Christ. Her legacy has created and helped to shape some of the most successful gospel artists including Vanessa Bell Armstrong, Donald Vails, Commissioned, Esther Smith, Keith Pringle, Rev. Rance Allen, the late Rev. James Moore and her own daughters, The Clark Sisters. She taught that one should never try to sing, preach, teach, or reach without prayer and that Christ must always be the center of attraction and the center of one’s life.
Born the seventh of nine children to Fred J. Moss and Mattie J. Walker in Selma, AL, she began playing the piano at age six. By 12, she became the musician at her mother’s services at the Church of Christ and Prayer. After high school, she attended Selma University and received training in classical music and choral singing. In addition, she continued to travel with her mother and play at her mission services.
She moved to Detroit in 1947 to be with her sister Sybil Burke and became a member of Greater Love Tabernacle Church of God in Christ. There, under the leadership of Bishop W. Rimson, she was baptized in the Holy Ghost and subsequently became the Minister of Music. She served an historic tenure as Minister of Music for both Southwest Michigan Jurisdiction and Bailey Temple Church of God in Christ, under Bishop John Seth Bailey. Soon she was in demand to train choirs at churches throughout the brotherhood of COGIC. She married her first husband, Mr. Cullum and that union produced two children Leo and Jacqueline. Her next marriage was to Elder Elbert Clark and unto their union four daughters were born, Denise, Twinkie, Dorinda, and Karen.
In 1958, she recorded “Going to Heaven to Meet the King,” with the Southwest Michigan State Choir, becoming the first person to commit the sounds of a choir to record. She was also the first person to separate vocal parts into soprano, alto and tenor. She received three gold albums with the Southwest Michigan State Choir, and went on to write and arrange hundreds of songs and record over 50 albums.
She directed Cadillac Motor Company’s Christmas Choir for eleven years and also conducted community wide mass choirs for the prestigious NAACP Freedom Fund Dinners. In 1979, she founded the Clark Conservatory of Music in Detroit, which established itself as one of the most prestigious schools of its kind in the country. In 1981, Trinity College in Pennsylvania conferred upon her one of their highest honors, the degree of Doctor of Humanity. After the death of Bishop Bailey in 1985, she continued as State Minister of Music for Southwest Michigan Jurisdiction #1, attending Greater Mitchell Church of God in Christ, under Bishop J.H. Sheard. She was also one of the editors and contributors to the hymnal published by the Church of God In Christ entitled “Yes, Lord.”
When the late Bishop J. O. Patterson appointed her the International President of The Music Department in 1968, she worked to instill within musicians and choirs a responsibility to Christ as well as capability for Christ. Throughout her efforts, young people especially received her and many were saved, and uplifted by her music and message.
She completely revolutionized the music departments. She gave definition to the roll of State Minister of Music, traveled year-round to every state in the country conducting workshop, rehearsals and musicals to prepare choirs for service on the National Church level and organized the structure of the National Music Convention of the Church of God in Christ. Dr. Clark introduced the workshop and seminar concept to the convention, and along with her staff, structured classes for the convention and created “A Song Is Born,” the program where new talent was introduced before thousands.
As her health declined, Dr. Clark never lost the fire and passion for her mission, and she learned to give all she had with whatever God gave her and believed He would do the rest. An accomplished musician, singer, arranger, composer, leader, director, teacher, and exemplary woman of God, Dr. Clark died on September 22, 1994. The legacy of Dr. Mattie Moss Clark is one that will stand as a testament to the anointing of God and his gifts, what she accomplished is matched by only a handful of anointed vessels, cementing her standing as the true “First Lady” of gospel music.

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"Bishop Walter Hawkins"

At the age of 19 this San Francisco Bay Area native hadn't considered a musical life. His recording debut actually came anonymously when he sang in the Ephesian Church of God in Christ youth choir, a Berkeley, California-based church. To raise money to attend a convention in Washington, DC, the choir, directed by Hawkins' older brother Edwin, recorded an album, Let Us Go Into The House Of The Lord in 1968 to sell locally. Astonishingly, a song from that album, "Oh Happy Day", became a pop hit the following year, selling over a million copies. In the next few years, the Edwin Hawkins Singers toured nationally and internationally before Walter set out on his own.

"The Caravans"

Way back in 1952 when Mahalia Jackson was the reigning Queen of Gospel music and a new Queen was crowned in England, a future Queen was making history in Chicago. It was in that year and from within the inimitable incubator of 1952 Chicago Gospel music that Albertina Walker first organized and managed the legendary Caravans Gospel singing group. For more than half a century The Caravans have been an unwavering source of traditional Gospel music. With the founding of The Caravans in 1952, Albertina Walker soon became known as “Albertina Walker-The Star Maker.” Her unerring eye for extraordinary talent and her steadfast commitment to the Word led her to discover and launch the careers of such Gospel greats as Inez Andrews, Shirley Caesar, Cassietta George, Evangelist Dorothy Norwood, James Herndon, Josephine Howard, Delores Washington and the “King of Gospel” Reverend James Cleveland. Rev. Cleveland not only accompanied the Caravans on piano, but also narrated hymns, his relaxed monologues a stark contrast to the fervent group vocals behind him.

"The Davis Sisters"

The Davis Sisters are some of the hardest singing women from the great days of Gospel's past! There was something special in their sound and overall artistry. Aretha Franklin said in her autobiography that Jackie Verdell would sing so hard at their concerts that you could acutally see spots of on her choir robe afterward and one listen to this compilation of some of their most intense, heartfelt performances, and you'll be a believer! Jackie possessed a monument of a voice that could completely shatter all of your senses, as is evident on classics like "Shine On Me", "I Believe I'll Go Back Home", and "I'm Tired"! Ruth Davis, the group founder,is arguably one of the best soloists in gospel music history! Her ferocious contralto wail is soaked in divinity, just listen to her and Jackie's call and response on songs like "Bye and Bye", "(Jesus) He's My Precious King", and her emotioanal testimony at the end of "Jesus Gave Me Water" providing one of the disc's obvious highlights! Their harmonies are airtight and angelic, far more artistic than many of their contemporaries and you will be more than uplifted at the end of listening to the Davis Sisters' praises!

Click on Bishop G.E. Patterson's photo to hear a word of faith from one of the Greatest preachers to ever deliver Gods word. Be healed, Be delivered, and Be set free!

In Memoriam

Bishop Gilbert Earl Patterson

1939 - 2007

Presiding Bishop, Church of God in Christ

Pastor, Temple of Deliverance Church of God in Christ

Click on James Cleveland's photo to hear "Peace Be Still"

Rev. James Cleveland
1932-1991

JAMES CLEVELAND was born in Chicago, Illinois on December 5, 1931 to Rosie Lee and Benjamin Cleveland during the height of the greatest depression. James’ grandmother attended Pilgrim Baptist Church, where she was a member of the choir. James had no choice but to attend these rehearsals with his grandmother and found himself sitting through these choir rehearsals – bored stiff!! Eventually James decided he would conquer the boredom through attempting to sing along with the choir. It was in one of these rehearsal that James’ singing was noticed and he was made choir mascot. The choir director, Thomas A. Dorsey wrote a song for him which launched the career of what was the be a long line of performances. Through Dorsey’s teaching and directing young James was influenced in a great way.

COGIC 1907~2007

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Congratulations Church Of God In Christ as you Celebrate 100 years!!!

Musician Referral Service

2007-04-26T07:59:00.000-07:00

Musicians, are you looking for a church?
Churches, are you looking for a musician?

Bynes Gospel Music now has a musician referral service. For further information, contact BGM.

Gospel Music History Trivia

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1) What gospel artist made his/her national debut with the song
2) Who is the composer of “Lord, Don’t Move the Mountain”?
3) What gospel group met on the campus of Bethune-Cookman College in the 1990s and formed their group following that chance encounter?
4) What artist was known as the Songbird of Texas in the 1950s?
5) What gospel artist pastors the New bethel COGIC in Toledo, OH?
6) Who formed the Gospel Caravans group in 1947?
7) Who filled in for Dorothy Love Coates in the Gospel Harmonettes when Coates was pregnant?
8) What gospel artist says that he was influenced to sing gospel after hearing Commissioned’s “Running Back to You”?
9) Who was the featured vocalist on Donald Vails & the Choraleers’ “He Decided to Die”?
10) What group is nicknamed the Sweet Sisters of Zion?
11) What gospel legend was once the sales manager at the Clara Ward Singers’ Philadelphia record store?
12) The Beautiful Zion Missionary Baptist Church Choir’s 1973 hit “I’ll Make it Alright” was based on what pop song?
13) What gospel group recorded the Rollingstones’ “Salt of the Earth” at the group’s request?
14) Who is the first gospel artist to hit #1 on the Radio & records’ smooth jazz chart?
15) What artist attended the Snow Hill Institute in Bessemer, AL?
16) What platinum-selling gospel artist once sang with Benny Cummings?
17) What gospel legend played percussion on Motown songs such as the Jackson 5’s “ABC” and Diana Ross’ “Ain’t No Mountain High Enough”?
18) What gospel group performed “The Wicked Shall Cease Their Troubling” at Radio City Music hall in 1971?
19) What gospel artist wrote the blues song “Tight like That”?
20) Rev. James Cleveland officiated at the wedding of what singer who was once a Sam Cooke protégé?
21) What does the QC in the Spiritual QCs stand for?
22) Who was first cited as the godfather of Christian rap?
23) Fred Hammond produced the debut cd of what Christian rap group in 1990?
24) What quartet singer was nicknamed”Pretty Boy” in the 1950s?
25) What specific gospel quartet had a musical influence on James Brown?
26) What gospel group’s name was inspired by Charles Lindburgh’s plane?
27) Who was the first female to record a gospel song?
28) What gospel artist began her career with the Lockhart Singers?
29) The Paramounts trasnformed into what group?
30) What gospel popularized “Royal telephone” and “Stop Playing Numbers and Pray.”
31) Who was the first black gospel group to perform at the D.A.R. Constitution Hall?
32) What artist was caregiver to a preacher’s sick wife, then married the preacher after the wife died and set off a church scandal?
33) What gospel artist hailed from the Polk Street COGIC Choir?
34) Who first introduced the song “I Wn’t Complain”?
35) Madame Artelia Hutchins’ performance at the 1926 Baptist Convention provoked what artist to abandon a classical music career for a gospel career?
36) What is the best-selling black gospel recording of all time? Edwin Hawkins’ “Oh, Happy Day.”

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